BAYLINE is her 2nd documentary short funded via the MTS STORIES FROM HOME Broadcaster. THE LEAGUE is her first documentary short, funded via the NSI Aboriginal Documentary Program. The film is currently playing several festivals and aired with broadcaster APTN in fall of 2016.
PANEL: Thrills & Chills – Editing Dark Genre in Feature Film
Editors in doc have such a deep involvement in shaping the films that they can become credited co-directors or co-writers. Join us as our panel (Mike Munn CCE, Michèle Hozer CCE & Nick Hector CCE) explores the profound level of authorship editors can have in crafting a documentary. Writer-Director Jim Allodi is a graduate of the NYU film program, and the CFC Director’s Lab.
The 2nd Annual CCE Awards Nominees & Winners
Never one to turn down an adventure, he once traveled to Sri Lanka to edit an epic Action/Romance about the Sri Lankan civil war (in Tamil and Singhalese) for a director who contacted him randomly over the internet. The first annual EditCon took place on Saturday February 10th, 2018 at the TIFF Bell Lightbox in Toronto. The event was sold out to 150 guests and included 4 informative, lively and open discussion panels. Join Nahid Islam for an intimate Q&A on the ins and outs of post production fundamentals and answering your questions about the process behind the scenes. The eighth annual Toronto Screenwriting Conference takes place at the Metro Toronto Convention Centre on April 22 and April 23. Each winner receives a pass to the TSC and a meeting with representatives from Telefilm Canada.
- He describes this as one of the proudest moments in his life along with receiving a Lifetime Achievement Award from the CCE.
- He’s worked with some of the finest filmmakers in Quebec, like Denis Villeneuve, Philippe Falardeau, Kim Nguyen, and Louise Archambault.
- In 1968, she ended her tour in Israel where she settled in the city of Jerusalem with an offer to work at the newly established Israeli Television Network.
- Over the course of her career, Inbal has worked in the cutting rooms of directors such as Davis Guggenheim (Teach), R.J.
- Jeff Barnaby was born and raised on the rural Mi’gMaq reserve of Listuguj, Quebec.
Chris Coulter
She is best known for her work on The Tudors, The Borgias, Mary Kills People and ANNE with an E, as well as for her live music cutting with Joe Bonamassa and Iron Maiden Logging in at 260 hours of cut screen time, her passion is clearly seen in her work. Since 1995, Lisa has been nominated for 18 film awards and has brought home eight, including four DGC Awards, three CCE’s and a Gemini. There’s no formula to a festival hit, but these three editors, each with a recent feature film on the circuit, shed light on their respective experiences.
Thank you to our CCE staff:
For over 25 years, Paul has worked as an online, offline and supervising editor, cutting everything from animatics, 2D/3D animation, and stop-motion. Projects include Freaky Stories, Angela Anaconda, Franny’s Feet, Iggy Arbuckle, Johnny Test, Glenn Martin DDS and Nature Cat. When given the chance to work on it, Paul thought that he would be nuts not to!
Canada
Bellevue, starring Anna Paquin, is screening on WGN America at the moment another series that Teresa edited and got to co-produce. Prior work includes award nominated series; 19-2, Bomb Girls, Camelot and the influential Durham County. Teresa is very excited to be part of the industry at a time when the boundaries of TV storytelling are being pushed like never before- it truly is the Golden Age.
DAY 1: Panels & Talks
- Action, comedy, drama, romance, horror and thriller – Jinmo Yang, ACE’s outstanding body of work covers almost every genre in filmmaking.
- She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut.
- The film is currently playing several festivals and aired with broadcaster APTN in fall of 2016.
- She is best known for her work on The Tudors, The Borgias, Mary Kills People and ANNE with an E, as well as for her live music cutting with Joe Bonamassa and Iron Maiden Logging in at 260 hours of cut screen time, her passion is clearly seen in her work.
- Amy graduated from the University of Arizona with a BFA in Fine Arts Studies.
- Recently, she worked on the multiple CSA nominated series Cardinal, which garnered her the DGC award for best editing- she’s also nominated for a CSA.
- While in Los Angeles he edited I Escaped from Devil’s Island starring Jim Brown.
In 2007 he was invited by Focal Press to write the Foreword for the second edition of The Technique of Film Editing, the book that had played such a central role in his life as an editor. He describes this as one of the proudest moments in his life along with receiving a Lifetime Achievement Award from the CCE. Alan Collins was born in India and grew up in the UK where he studied Drama and Film at Bristol University. He was inspired to become a film editor after viewing Battleship Potemkin by Sergei Eisenstein and reading the bible of the edit room, The Technique of Film Editing (K. Reisz, G. Lambert) in 1967.
The 3rd Annual CCE Awards Nominees & Winners
As long-time editor for critically-acclaimed director Francis Leclerc, she worked on the popular sitcom Les beaux malaises, the dramatic series Marche à l’ombre, and Mon meilleur ami and the poetic short Trotteur, amongst others. Their latest collaboration, the feature film Pieds nus dans l’aube, is an adaptation of Félix Leclerc’s autobiographical novel of the same name. Over the years, she has also collaborated with directors François Jaros, Philippe Gagnon, Quentin Dupieux (a.k.a. Mr Oizo), Olivier Asselin and Mélanie Charbonneau.
Main Features
She spent 3 years as the resident editor at the Banff Centre for the Arts and is a graduate of the The Canadian Film Centre. Her credits at Cinepix included Bill Fruet’s Death Weekend, Eddie Matalon’s Blackout, Ivan Reitman’s Meatballs, Larry Kent’s Yesterday and J. The panel will examine the editor’s contribution in creating original, provocative and beautifully made television. Some prizes included a Hard Drive, Copies of Art of the Cut (Steve Hullfish the author was even in attendance to sign the copies!), a copy of Avid Media Composer and subscriptions to various Boris FX programs. EditCon 2019 took place on Saturday February 2, 2019 at the TIFF Bell Lightbox in Toronto.
King Street West, Toronto
Stephen Philipson CCE is an award-winning editor and proud member of the CCE since the very start. His credits include high profile TV series such as American Gods, Hannibal, and Orphan Black. He also cut Canadian film favourites such as The Wild Hunt, voted Best Canadian First Feature and one of Canada’s Top Ten by the Toronto International Film Festival, and Grown Up Movie Star, a prize-winner at Sundance. Roslyn’s television projects can be seen on NETFLIX, HBO Canada, ABC, Syfy, Lifetime, Global and the CBC. She has earned CCE and DGC Nominations for her editing in the categories of documentary, TV Movie and Mini-Series. With a background in theatre, Malenfant is an editor with a passion for bringing out an actor’s talents and crafting their best performance.
Rik’s diversity of talent and pursuit of excellence made him a singular talent and mentor amongst editors. When that film finished she remained at Cinepix working on hundreds of commercials for the films they distributed while finishing her education at night and during summer “holidays”, graduating in Communication Arts, magna cum laude. Roushell Goldstein was born and raised in Ottawa, Canada, received her BA from Carleton University, and immediately left Ottawa on her “Grand Tour” of Europe. In 1968, she ended her tour in Israel where she settled in the city of Jerusalem with an offer to work at the newly established Israeli Television Network. For the next five years, she worked in the editing department on news, sports, current affairs and the odd documentary (where budgets allowed).
With over 15 years experience, Argentina-native Andres Landau is an award-winning editor. He was distinguished with the 2018 Canadian Cinema Editors Award for Best Editing in a FeatureDocumentary for Unarmed Verses. In 2011, he oversaw post-production for The National Parks Project, and edited Sirmilik the 2012 Genie Award winning short documentary by director Zacharias Kunuk.
DAY 2: Panels & Talks
A multi-disciplined artist, he has won several awards for his artwork, pœtry, short stories, music and films. His work provides a bare-knuckled view of post-colonial Mi’gMaq life, defying stereotypical treatments of First Nations’ narratives by using horror/sci-fi tropes to explore themes of violence, gender, race and Indigenous futurism. He hung around the University of Toronto’s Hart House Theatre, and its then director, Robert Gill, absorbing the world of theatre. But it was the editing suite that eventually took his interest after he landed his first job on the CBC series, The Forest Rangers, in the early 1960s.
He wrote and directed the acclaimed feature The Uncles (Odeon Films), named one of Canada’s Top Ten by the Cinemateque Ontario. Julio C. Perez, IV lives and works in Los Angeles, editing in both narrative and documentary. He has recently worked with director Sam Levinson on the series EUPHORIA, as well as the upcoming feature MALCOLM AND MARIE.
We’re currently experiencing a watershed moment for increased representation in storytelling. The editors behind I MAY DESTROY YOU, EUPHORIA, and #BLACKAF join us to discuss their groundbreaking work. The past year has brought our lives no shortage of fear-inducing moments, and yet films that offer us frights continue to be one of our greatest escapes. Action, comedy, drama, romance, horror and thriller – Jinmo Yang, ACE’s outstanding body of work covers almost every genre in filmmaking. His mastery of pacing and tone is often on display as he rides the line between genres, from the action/comedy of LUCK-KEY, to the thriller/comedy PARASITE.
Panel #1: Documentary Confidential
To qualify for the Telefilm Canada New Voices Award, candidates must have written at least two short films one of which has been produced, and have written one feature length screenplay, TV pilot or series treatment. They must not have previously produced mgm grand site a feature or TV series/pilot, nor received Telefilm Canada Funding. George cut many of Canada’s iconic series and feature films, from Adventures in Rainbow Country, Street Legal, and Cold Squad to Outrageous, The Silent Partner, Isabel, and many others.
TSC Announces New Voices Awards
Raised on Star Trek, Justin’s original plan was to push flashy buttons on a starship as an actor. Fortunately, he found his calling pushing colourful keyboard buttons in a dark room. His work has been seen ‘round the world in festivals such as Sundance, Berlinale, SXSW, TIFF, and most recently on HBO with the Emmy winning mini-series Big Little Lies. Roslyn’s recent drama series include Haven, Hemlock Grove, Ten Days in the Valley, and Mary Kills People. Roslyn’s passion for editing began in Montreal, where she studied Film and Screenwriting at McGill University.
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